For her solo exhibition at La Maréchalerie, Caroline CORBASSON proposes to retrace her video work in a custom-designed space. Mandatory booking : lamarechalerie@versailles.archi.fr
From his first films, Atacama (2017) and A ta recherche (2019), to more recent video works, some of which were made specifically for La Maréchalerie, we travel in a universe mixing science and fiction, between vast landscapes and hyper-technological observatories. Recently, the cinematic medium has taken a new place in his plastic work.
With Atacama and A ta recherche, Caroline Corbasson continues the development of themes and questions begun several years ago, our relationship to the world and the universe, as well as our way of approaching, observing and quantifying these distant environments.
Its collaborations with renowned national and international scientific institutions such as the CNRS, CNES, the Paranal Observatory in the Atacama Desert or the Laboratoire d'Astrophysique de Marseille allow it to intervene in the daily life of these high places of scientific and spatial study to capture their singular atmosphere.
At the artist's invitation, the architects Simon de Dreuille and Elena Seegers designed the exhibition space as a boat for escape.
With Atacama and A ta recherche, Caroline Corbasson continues the development of themes and questions begun several years ago, our relationship to the world and the universe, as well as our way of approaching, observing and quantifying these distant environments.
Its collaborations with renowned national and international scientific institutions such as the CNRS, CNES, the Paranal Observatory in the Atacama Desert or the Laboratoire d'Astrophysique de Marseille allow it to intervene in the daily life of these high places of scientific and spatial study to capture their singular atmosphere.
At the artist's invitation, the architects Simon de Dreuille and Elena Seegers designed the exhibition space as a boat for escape.
